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3D Camera Projection. For After Effects CS3 use a Spot Light instead of a Point Light. I´m having a problem with the camera mapping technique described on. There is not much to share about this delightful display of 3D projection mapping in the arts sphere other than it comes from the Stavanger Concert Hall in Norway where Mozart's Magic Flute was performed last September. Technicians used Motion Graphics with Adobe After Effects and modeling and Softimage XSI for the 3D modeling and animation. Comments to the video: 2D Image to 3D Video| Projection Mapping in Adobe After effects. 3D videos 3 minutes ago. रियल 3 डी 3 डी कैमरे के साथ अधिक आसानी से काम करता है।. > Adobe After Effects; After Effects tutorial: Discover projection mapping to animate photos in 3D We Are Pitch Black apply camera mapping for enhanced realism.

After Effects includes a vast array of Distort effects, both native and third-party plug-in, for distorting (morphing) an image. The Warp effects include the ability to correct or stabilize images with Rolling Shutter distortion.

The Bezier Warp effect shapes an image using a closedBezier curve along the boundary of a layer. The curve consists offour segments. Each segment has three points (a vertex and two tangents).

Andrew Kramer provides a video tutorial on his Video Copilot website that demonstratesthe use of the Bezier Warp effect.

This effect works with 8-bpc and 16-bpc color.

Original (upper-left) and with variations of Bezier Warp applied(lower-left and right)

The positions of the vertices and tangents determine the sizeand shape of a curved segment. Dragging these points reshapes thecurves that form the edge, thus distorting the image. For example,you can use Bezier Warp to reshape one image to fit another, asin wrapping a label around a jar. Bezier Warp is also useful forcorrecting lens aberrations, such as the fisheye effect (barreldistortion) that can occur with a wide-angle lens; using BezierWarp, you can bend the image back to achieve an undistorted look.By animating the effect and choosing a high quality setting, youcan create fluid visual effects, such as a jiggling gelatin dessertor a fluttering flag.

The Bulge effect distorts an image around a specified point, making the image appear to bulge toward or away from the viewer, depending on the options you select.

This effect works with 8-bpc and 16-bpc color.

Original (upper-left), and with variations of Bulge applied(lower-left and right)

The width and height of the distorted area, in pixels. Youcan also set the radius values by dragging the selection handlesin the layer.

The apparent depth of the bulge. Positive values push thebulge toward the viewer. Negative values pull the bulge away fromthe viewer.

The shallowness of the sides of the bulge. A taper radiusof 0 produces a steep, pronounced bulge.

The amount of edge smoothing (blending of colors) at theboundaries of the bulge. Anti-aliasing is applied only when thelayer quality is set to Best.

Prevents the edges of the layer from bulging.

The Corner Pin effect distorts an image by repositioningeach of its four corners. Use it to stretch, shrink, skew, or twistan image or to simulate perspective or movement that pivots fromthe edge of a layer, such as a door opening. You can also use itto attach a layer to a moving rectangular region tracked by themotion tracker. You can move the corner pins in the Compositionpanel, the Timeline panel, or the Effect Controls panel.

This effect works with 8-bpc, 16-bpc, and 32-bpc color.

Original image (upper-left), corner moved (lower-left), andfinal image (lower-right)

The AE Enhancers forum describes and linksto an animation preset from Donat van Bellinghen for scaling a setof Corner Pin effect points.

The CC Power Pin effect—one of the Cycore FX plug-ins includedwith After Effects—provides some additional features. For information,see the Cycore website.

The Displacement Map effect distorts a layer by displacingpixels horizontally and vertically based on the color values ofpixels in the control layer specified by the Displacement Map Layerproperty. The type of distortion created by the Displacement Mapeffect can vary greatly, depending on the control layer and optionsyou select.

This effect works with 8-bpc, 16-bpc, and 32-bpc color.

Original (upper-left), displacement map (lower-left), anddisplaced image (lower-right)

The displacement is determined from the color values of the displacementmap. The color values range from 0 to 255. Each value is convertedinto a scale ranging from -1 to 1. The displacement amount is calculatedby multiplying the converted value by the maximum displacement amountyou specify. A color value of 0 produces maximum negative displacement(–1 * maximum displacement). A color value of 255 produces maximumpositive displacement. A color value of 128 produces no displacement.

The effect uses the control layer specified by Displacement MapLayer, without considering any effects or masks. If you want touse the control layer with its effects, precompose it. If the controllayer isn’t the same size as the layer to which the effect is applied,it is centered, stretched, or tiled depending on the setting forDisplacement Map Behavior.

Select Expand Output to allow the results of the effect to extendbeyond the original boundaries of the layer to which it’s applied.Select Wrap Pixels Around to copy pixels displaced outside the originallayer boundaries to the opposite side of the layer; that is, pixelspushed off the right side appear on the left side, and so on.

Rick Gerard provides additional explanation and an example project for the Displacement Map effect on his website.

Trish and Chris Meyer explain how to use blending modes, layer styles, and the Displacement Map effect to make text blend in to appear to be part of a surface in the PDF article “Writing on the Wall” on the Artbeats website.

Chris Zwar provides an example project on his website that uses the Displacement Map effect, the Turbulent Displace effect, the Texturize effect, and a combination of Blur and Color Correction effects to create a transition in which an image appears as a watercolor image washed onto a rough piece of paper.

Robert Powers provides a video tutorial on the Slippery Rock NYC website that shows how to create and use a depth matte and use it as a control layer for the Displacement Map effect. The result is then used by the 3D Glasses effect to create a stereoscopic image.

The Liquify effect lets you push, pull, rotate, enlarge,and shrink areas in a layer. Several Liquify tools distort the brusharea when you hold down the mouse button or drag. The distortionis concentrated at the center of the brush area, and the effectintensifies as you hold down the mouse button or repeatedly dragover an area.

You can limit the area of a layer you distort by using FreezeArea Mask. Use the Reconstruction mode to lessen or undo distortionsyou’ve created.

The Liquify effect can extend beyond the boundaries of the targetlayer. This extension is useful when the target layer is smallerthan the composition.

This effect works with 8-bpc and 16-bpc color.

Original (upper-left), and with variations of Liquify applied(lower-left and right)

Andrew Kramer provides a video tutorial on his Video Copilot website that demonstratesthe use of the Liquify effect to distort (morph) a human face into theface of a demon.

Determines the area of the image in which mask opacity and feathersettings affect the distortion. Areas outside the mask are distorted;areas within the mask are distorted according to Mask Opacity andMask Feather settings.

Determines how the distortion affects the area within the mask. If Mask Opacity is set to 100%, the distortion doesn’t affect the area within the mask; if it’s set to 50%, the area within the mask is affected. If you set Mask Opacity to 100%, make sure to feather the mask to prevent jagged edges on the mask.

The width of the feather used to blend pixels between the maskedarea and the nonmasked area.

Pushes pixels forward as you drag.

Smoothly scrambles pixels. This setting is useful for creatingfire, clouds, waves, and similar effects.

Rotates pixels clockwise as you hold down the mouse buttonor drag.

Adobe After Effects Projection Mapping